The first is more original and off the wall, but there’s something weirdly ambiguous about the quality of fake in the second.
Words are by Bertolt Brecht, music by Kurt Weill, both from the Threepenny Opera (1928).
What do the singers Tom Jones and Bonnie Tyler and the late actor Richard Burton all have in common?
It’s played without being touched.
In the year of 1963, he was committed to a mental institution.